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Bowling: The Golden Years - 1960

Brunswick was founded by John Moses Brunswick who came to the United States from Switzerland at the age of 15. The J.M. Brunswick Manufacturing Company opened for business on September 15, 1845, in Cincinnati, Ohio. Originally J. M. Brunswick intended his company to be mainly in the business of making carriages, but soon after opening his machine shop, he became fascinated with billiards and decided that making billiard tables would be more lucrative, as the better tables then in use in the United States were imported from England. Brunswick billiard tables were a commercial success, and the business expanded and opened up the first of what would become many branch offices in Chicago, Illinois in 1848. In 1873, the Brunswick company merged with competitor Great Western Billiard Manufactory owned by Julius Balke to become the Brunswick & Balke Company, incorporated with a capital stock of $275,000.

America BowlsIn 1884, another competitor, H.W. Collender Company of New York (founded by Hugh W. Collender), was absorbed to form the Brunswick-Balke-Collender Company (or B.B.C. Company for short) with capital of $1.5 million. The company expanded into making a number of other products. Large ornate neo-classical style bars for saloons were a popular product. Bowling balls, pins, and equipment led a growing line of sporting equipment. It popularized bowling balls of manufactured materials, vulcanized rubber at first; earlier bowling balls had been solid wood.

Bob Wills and his Texas Playboys - Rockabye Baby Blues

During the postwar period, KGO radio in San Francisco syndicated a Bob Wills and His Texas Playboys show recorded at the Fairmont Hotel. Many of these recordings survive today as the Tiffany Transcriptions and are available on CD. They show off the band's strengths significantly, in part because the group was not confined to the three-minute limits of 78 RPM discs. They featured superb instrumental work from fiddlers Joe Holley and Louis Tierney, steel guitarists Noel Boggs and Herb Remington, guitarists Eldon Shamblin and Junior Barnard and electric mandolinist-fiddler Tiny Moore.

Luke Wills - Take Me Back To Tulsa

"Take Me Back To Tulsa" is a Western swing standard song. Bob Wills and Tommy Duncan added words to one of Bob Wills old fiddle tunes in 1940. Bob Wills and The Texas Playboys recorded "Take Me Back To Tulsa" in 1941 (OKeh 6101) and it became one of their larger hits. When played at Cain's Ballroom in Tulsa, it often included the lines:
Would I like to go to Tulsa? Boy I sure would. Well, let me off at Archer, and I'll walk down to Greenwood.
Bob Wills and His Texas Playboys performed the song in his 1940 movie Take Me Back to Oklahoma. Spade Cooley's Western Dance Gang also performed it in their 1944 short movie titled for the song, Take Me Back to Tulsa. "Take Me Back To Tulsa" is a Western swing standard song. Bob Wills and Tommy Duncan added words to one of Bob Wills old fiddle tunes in 1940. The song takes its name from the chorus: Take me back to Tulsa, I'm too young to marry. Take me back to Tulsa, I'm too young to marry.

Texas Playboys on TV 1976

After forming a new band, The Playboys, and relocating to Waco, Wills found enough popularity there to decide on a bigger market. They left Waco in January of 1934 for Oklahoma City. Wills soon settled the renamed Texas Playboys in Tulsa, Oklahoma, and began broadcasting noontime shows over the 50,000 watt KVOO radio station. Their 12:30-1:15 p.m. Monday–Friday broadcasts became a veritable institution in the region. Nearly all of the daily (except Sunday) shows originated from the stage of Cain's Ballroom. In addition, they played dances in the evenings, including regular ones at the ballroom on Thursdays and Saturdays. By 1935 Wills had added horn, reed players and drums to the Playboys. The addition of steel guitar whiz Leon McAuliffe in March, 1935 added not only a formidable instrumentalist but a second engaging vocalist. Wills himself largely sang blues and sentimental ballads.

Bob Wills / Sittin' On Top Of The World - 1951

The title line of "Sitting on Top of the World" was probably borrowed from a well-known popular song of the 1920s, "I'm Sitting on Top of the World", written by Ray Henderson, Sam Lewis and Joe Young (popularised by Al Jolson in 1926). However the two songs are distinct, both musically and lyrically (apart from the title). Claims are made that "Sitting on Top of the World" was derived from the earlier songs: "How Long, How Long" by Leroy Carr and Scrapper Blackwell, a blues hit recorded in 1928, and Carr & Blackwell's follow-up song "You Got To Reap What You Sow" (1929), with Tampa Red on bottleneck guitar. It has also been suggested that Tampa Red composed the melody of "Sitting on Top of the World".

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An artist is never ahead of his time but most people are far behind theirs.

— Edgard Varese

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