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Newsreel: Teddy Roosevelt - 1953
Theodore "Teddy" Roosevelt (October 27, 1858 – January 6, 1919) was the 26th President of the United States of America (1901–1909). He is noted for his exuberant personality, range of interests and achievements, and his leadership of the Progressive Movement, as well as his "cowboy" persona and robust masculinity. He was a leader of the Republican Party and founder of the short-lived Progressive ("Bull Moose") Party of 1912. Before becoming President, he held offices at the city, state, and federal levels. Roosevelt's achievements as a naturalist, explorer, hunter, author, and soldier are as much a part of his fame as any office he held as a politician.
New York City: Wrestlers at the New York Athletic Club (NYAC) - 1905
Special Thanks to our good friend TigerRocket
Ca. November 7, 1905.
American Mutoscope & Biograph Company
Produced by Kennedy Laurie Dickson
New York Athletic Club
Private club at Central Park South and 6th Avenue, formed in 1868 by William B. Curtis, Henry E. Buermeyer, and John C. Babcock in the backroom of the Knickerbocker Cottage on 6th Avenue between 27th and 28th streets. On 11 November 1868 the club sponsored the New York Athletic games, the first indoor amateur athletic meet in the United States, in the unfurnished Empire Skating Rink on 3rd Avenue. On a cold, rainy night the meet drew more than a thousand spectators, who saw six track and eight field events; among the innovations introduced at the meet were cleated athletic shoes and an early bicycle with a large front wheel called a velocipede. The club built a boathouse on the Harlem River in 1870, opened a club at Mott Haven in June 1874, and in 1880 purchased an island of 30 acres (twelve hectares) in Long Island Sound as a training retreat for its elite competitors. Called Sheffields Island (later renamed Travers island for the clubs president William R. Travers), the island had two buildings in which as many as seventy athletes could live and train while carrying on business in New York City. By 1898 the club had many prominent businessmen in the city as members. The clubs building on Central Park South, opened with great fanfare on 22 January 1929, houses extensive athletic facilities, restaurants, and guest rooms.
- Robert Hillenbrand / Encyclopedia of New York City edited by Kenneth T. Jackson
New York City: Claremont Theater, Manhattanville - 1915
Special Thanks to our good friend TigerRocket
1915 Edison Manufacturing Co.
The Claremont Theatre
3320-3338 Broadway (a.k.a. 536-540 West 135th Street) in Manhattanville.
The village of Manhattnville was established in 1806 in a valley at the crossroads of Bloomingdale Road and Manhattan Street (Broadway and 125th Street).
The community was the site of churches, a grade school, and Manhattan College (1853). A ferry terminus on the Hudson River, a mill, and a brewery contributed to a thriving enclave that had about five hundred residents at mid century.
- (excerpt) Karen E. Markoe / Encyclopedia of New York City - Edited by Kenneth T. Jackson
''The Claremont Theater is one of the oldest structures in New York City planned specifically to exhibit motion pictures, originally called ''photoplays.'' Located in north Manhattanville, at the southeast corner of Broadway and 135th Street, the theater opened in November 1914. Commissioned by Arlington C. Hall and Harvey M. Hall of the Wayside Realty Company, it was designed in the neo-Renaissance style by Gaetano Ajello, an architect best known for apartment buildings on Manhattan's Upper West Side. The building has three distinct fronts, including a clipped corner façade where the auditorium's entrance was originally located. This distinctive arrangement enhanced the theater's visibility and increased the amount of retail space. The corner, consequently, received the most elaborate decorative treatment and is embellished with an elegant low relief depicting an early motion picture camera set on a tripod. In 1915 Thomas Edison produced a short film (seen here) in which the theater's entrance is prominently featured. Filmed from across Broadway, it depicts groups of men, women, and children exiting the building. The second floor accommodated a large restaurant and ballroom, known under such names as the Broadway-Claremont or Clarendon Restaurant, and later, the Royal Palms Ballroom and Roof Garden. Until the early years of the Depression, area residents gathered here to eat, drink, and dance. Beginning in the late 1920s, the storefronts were leased to automobile-related businesses and by 1933 the theater closed and the interior was converted to an automobile showroom. Despite such changes, the exterior is well-preserved and remains a symbol of the growing popularity of the motion picture in the early twentieth century.''
- Designation List 375, Landmarks Preservation Commission / June 6, 2006
Fire Laddies of New York City
Upload on YouTube by TigerRocket May 19, 1903. American Mutoscope & Biograph Co. Two hook-and-ladders, two steam pumpers, and a rescue wagon return to the 'house'. Note the kids running along and hanging on the back of some of the vehicles. "In 1901, New York City was only three years old. Although much larger, the city and its fire department had not changed too much. Steam fire engines and wooden aerial ladder trucks were still pulled by horses. Telephones had been in use for two decades, but the department still relied on telegraph and bells for alarms." - Steven Scher / New York City Firefighting 1901-2001 Queer Street Characters (Originally published 1893) “Made up my mind about somethin'. Not gonna run wid de machine no more.” Was it the fireman in real life or the fire laddie of the stage who gave rise to the slang that centred around the life of the volunteer fireman? For a long time, in my school-days, "Mose," "Lize," and "Syksey" were familiar names upon our play-grounds, and we shouted to "wash her out" or "take de butt" as if we were veritable Chanfraus. The caricatures of the period found inexhaustible fun in "Mose," with, his red shirt, black broadcloth pantaloons tucked into his boot-tops, his elfin "soap-locks" hanging over each ear and down his close-shaven cheeks, his tall silk hat perched on one side of his head, and his broadcloth coat hung over his left arm. For his "Lize" he ordered pork and beans in the restaurant, and bade the waiter, "Don't yer stop ter count a bean," and to "Lize" he remarked, as he drove out on the road, It isn't a graveyard we're passin'; it's mile-stones." Possibly a new generation does not see anything laugh-able in these traditional jokes, but to the men of that period they stood for living actualities, the dashing heroes of many a fierce battle with the dread forces of fire. I honor the old volunteer firemen. When one of the battered "machines" of former days passes by in a public procession I feel like taking off my hat to it, as I always do to the tattered colors that I have followed on many a fierce field of fight. Ah, what nights of noise and struggle were those in which the engines rattled down pavement or sidewalk, drawn by scores of willing hands and ushered into action by the hoarse cries of hundreds of cheering voices. There was no boy's play around the engine when once it began to battle with the flames. Men left their pleasant firesides to risk their lives for the preservation of the lives and property of others, and they did it without bravado, as if it were but one of the ordinary duties of their lot. They had their jealousies and their prejudices, their feuds and their fights of rival organizations, but all met alike on the common ground of self-sacrifice for the common good. All classes of society were represented in the ranks of the firemen. The mechanic and the son of the wealthy merchant were in-distinguishable under the volunteer's heavy hat, and emulated each other in labors and daring. College graduates drew the silver-mounted carriage of Amity Hose to the scene of peril, and then the boys of "Old Columbia" did as good work amid the flames as the gilt-edged boys of the Seventh Regiment did after-wards through the long years of war. And then the firemen's processions-were they not superb? What a magnificent polish the engines took, and how exuberantly they were garlanded with flowers, and how full were the long lines of red-shirted laddies who manned the ropes and were the cynosure of the ad-miring eyes of all feminine Gotham! The men who carried the trumpets were the conquering heroes of the day and the envy of every boyish beholder. It seems a pity that their glory should have departed. Has it departed? I open the book of memory again, and they are all there, and the glory of their record is - undimmed: "Those ahold of hook-and-ladder ropes No less to me than the gods of the antique wars."
Brooklyn Goes to San Francisco - 1956
IF there is an aesthetic credo to Brooklyn and the Bay Area, it is Do It Yourself, which connotes more than using an Allen wrench from Ikea. D.I.Y. can mean everything from wearing locally designed T-shirts to attending concerts staged in someone’s warehouse apartment, to riding a bike to work. Several businesses that have opened in both Brooklyn and the Bay Area exemplify the aesthetic ... "We are cross-pollinating." -
http://www.nytimes.com/2008/03/30/fashion/30sanfrooklyn.html?_r=1
Brooklyn is New York City's most populous borough with 2.5 million residents, and second largest in area. It is also the western most county (Borough) on Long Island.
San Francisco is the fourth most populous city in California and the 12th most populous city in the United States, with a 2008 estimated population of 808,977. The only consolidated city-county in California, it encompasses a land area of 46.7 square miles on the northern end of the San Francisco Peninsula, making it the second-most densely populated large city (greater than 200,000 population) in the United States.

